If you’re prone to combining dense vocal arrangements with a desire for constant edit-ability, it’s worth noting that you’ll soon find yourself with two parallel mixes, running in synced applications. A dual monitor setup may have helped but a mapped MIDI transport would have been ideal. On these frequent occasions the Revoice transport stopped while the rest of the project continued. Of particular frustration was my instinctive use of the spacebar to stop the track while the Revoice window was in focus. Despite the smooth setup I must confess to finding it tedious constantly switching between application windows. Once a link is enabled, Revoice slaves its playback to the transport of the linked DAW, with a mix of all active tracks fed back to an auxiliary return channel in your main project. While not quite automatic, configuring this connection was straightforward and worked as expected.
#REVOICE PRO 4 APT TOO MAYN ARTIFICATS PRO#
In my case, I used the Revoice Pro Link and Pro Monitor plug-ins to transfer audio from my DAW into the multi-track layout of Revoice, then back again. This is particularly convenient for later tweaks. In standalone mode, Add audio file and Export modes perform as you would expect, along with the ability to save Revoice sessions with associated files. On occasion you may run Revoice on its own during an editing session, but in musical applications it’s more common to run it synchronised alongside your preferred DAW. The rest will simply experience it as a standalone application. PreSonus Studio One, Logic Pro X 10.4 and now Cubase 10 users presently have the joy of using the integrated ARA 2 (Audio Random Access) plug-in version of Revoice Pro. Things can get pretty complicated, if you let them. Alternate audio segments can even be archived in playlists of up to four layers to allow further experimentation. Many tracks will end up being used for dual functions, with some producing new tracks that then act as guides or dubs for another generation of outputs. In the broadest terms, Revoice Pro is an editing and processing multi-track program in which mono and stereo audio tracks are either processed (Dub and Warp tracks), act as analytical sources for control parameters (Guides), or are output as the product of one of these processes. Instead what I found was a hub of time and pitch manipulation for both spoken and sung vocal recordings… along with any other monophonic instrumental sources you choose to throw at it. When I received my review copy of the fourth edition of Synchro Arts Revoice Pro I must confess I thought I’d be testing a straightforward vocal tuning application.
0 kommentar(er)
